Koyaanisqatsi was made in 1983 through the combined efforts of three great artists in their own fields: Godfrey Reggio who directed the film, Ron Fricke, who was the main photographer and Philip Glass, who composed the music.
The Great Compassion Mantra Of Avalokitesvara
This is a wonderful rendition of the third Great Compassion Mantra as found in the Chinese tradition with some beautiful images uploaded with the victims of the Japanese Tsunami in mind.
Lost Worlds: City of the God Kings
This is one of the more intelligent reviews of what we know about the Angkor civilisation that flourished in Cambodia between the 9th and 14th centuries.
Touch and Go, Choygam Trungpa’s Epic Journey to the West
The heroic escape of Chögyam Trungpa Rimpoche and his followers from Tibet during the Chinese invasion of the country in 1959.
The Story of Buddhism by Benoy K Behl
A series of videos on the philosophy, art and culture of Buddhism in India by the renowned historian and photographer Benoy K Behl covering the Stupa, cave monasteries and later developments in the Himalayan Region.
The Journey of Xuanzang 11 & 12
The Emperor requests Xuanzang to write his Records of the Western World and he gains partonage to start his translation work. He translates some of the most voluminous of the Mahayana works, but eventually his health deteriorates and he passes away.
The Journey of Xuanzang 9 & 10
These two episodes cover the last years of Xuanzang’s sojourn in Nalanda, his great debates, and eventually his departure, and return across the Silk Road to the China of the Tang Dynasty.
The Journey of Xuanzang 7 & 8
Xuanzang travels down through India and eventually reaches Nalanda, where he is to stay for 10 years in all. Much information about the foundation of Buddhism, its propogatation under King Asoka, and the glories of Nalanda.
The Journey of Xuanzang 5 & 6
In these episodes Xuanzang crosses Central Asia and makes his way down through what is now Afghanistan and eventually on into Kashmir, where he spent the next two years studying.
